简介 Overview

斯德哥尔摩中国文化中心与浙江省文化和旅游厅合作,在中心各平台上线浙江美术馆策划并制作的“山海新经——中华神话元典当代艺术展”虚拟展。“山海新经”以民族信仰的文化积淀传递“东方式想象”,进而深刻体现中华优秀传统文化的当代意义、现实意义与世界意义。

China Cultural Center in Stockholm cooperates with Zhejiang Provincial Department of Culture and Tourism to launch a virtual exhibition of “The New Classic of Mountains and Seas” curated and produced by Zhejiang Art Museum. The exhibition conveys the “eastern imagination” with cultural accumulation of national belief, thus profoundly embodying the contemporary, practical and global significance of traditional Chinese culture.

先导片 Exhibition Overview

导览片 / 浙江美术馆馆长应金飞
Guided Tour by Ying Jinfei, Director of Zhejiang Art Museum

本次展览共展出中国、美国、德国、意大利、保加利亚和日本等近50位中外艺术家的124件主题作品。“山海新经”展览参照中国上古神话思维所蕴含的混沌性、意象性、崇德性等基本特征及宗教文化背景,根据主题层面的设定依次从宇宙时空、神怪志异、诗性语境三个方面分别解读《山海经》的生命意识,并以此对应“鸿濛:天书遗篇”、“饕餮:天下意象”、“寤寐:天地新志”等三大主题版块。浙江美术馆专题组织以《山海经》概念为核心的全新艺术创作实践,深刻探讨开启神话记忆场延展空间的现实可能性,向观众传递关于中华传统神话意识与图像的崭新定义。

A total of 124 sets of works of nearly 50 artists from China, USA, Germany, Italy, Bulgaria and Japan are displayed in this exhibition. With reference to the basic characteristics and religious background of ancient Chinese mythological thinking such as ubiquitous chaos, imagery and reverence for virtues, the exhibition interprets the life consciousness of The Book of Mountains and Seas from three themes of universal time and space, the divine and the strange, and the poetic contexts, which can be reflected respectively in the three sections of “Primordial Universe: The Lost Pieces of the Book of Heaven”, “Taotie: The Picture of the World” and “Wake and Sleep: The New Record of Heaven and Earth”. Zhejiang Art Museum exhibits new artistic creations centering on The Book of Mountains and Seas and tries to convey a new definition of consciousness and images of traditional Chinese mythologies through exploring the realistic possibility of expanding the memory space of mythology.

《AI山海经》/ 刘思辰   
AI-Electronic Utopia / Liu Sichen 2020

《山海经》是中国古代神话的重要文献,成型于先秦时期,包含着上古人民关于自然气象、文化发明和物种起源等方面的认识。今天,我们将《山海经》置于当代及当代艺术的视角,在新颖的互动游戏中,开启时空隧道,以神话叙事与当代艺术展开互文性对话,徜徉于独具一格的视觉空间,醉心于光怪陆离的想象世界。

The Book of Mountains and Seas is an important document of ancient Chinese myths written in the pre-Qin period, containing ancient Chinese people’s understanding of natural meteorology, cultural inventions and the origin of species. Today, we put The Book of Mountains and Seas in the perspective of contemporary art to initiate dialogue between mythical narrative and contemporary art by opening a space-time tunnel through creative and interactive games, so that the viewers can enjoy a visual feast in a world of wild imagination.

 

输入以下链接,开启穿越时空的艺术之旅吧!

Go to the following link to embark on a virtual tour of contemporary art transcending time and space!

https://wx.zjam.org.cn/Interact/SHXJ/index.html

 

《第一章 鸿濛:天书遗篇》

Primordial Universe: The Lost Pieces of the Book of Heaven

《呼吸》/ 应金飞 / 水彩
Breath / Ying Jinfei / Watercolor
2020 / 150 cm x 96 cm 

“鸿濛”所感所记乎览古迹、游名园、摩挲宫阙,顺势而行,温绎远古烟尘起伏湮灭,亦浮现沧海云田刻录之下天人安谐共绘的澹然愿景,游息于祗慎天道、皈依自然的原始人文姿态。

“The Primordial Universe” has roamed around as it wills and has seen cultural sites, celebrated gardens and imperial palaces throughout its journey. Having witnessed historical vicissitudes, it longs for a harmonious world for which Heaven and human both contribute, an Eden where all natural things live and die according to providence.

《历史 创造》/ 魏佳琳 / 水墨
History Creation / Wei Jialin / Ink painting
2019 / 165 cm x 170 cm

《祀神奇象图志》/ 贺亮 / 泥板、综合材料
Pictures of Wonderful Scenes in Sacrificing Rituals / He Liang / Mixed media 
2020 / 尺寸可变 Dimension variable 

 

《第二章 饕餮:天下意象》

Taotie: The Picture of the World

《狍鸮》/ 徐龙宝 / 版画
Deer Owl / Xu Longbao / Print
2016 / 30 cm x 30 cm

《水栖》/ 二階武宏 / 版画
Aquatic / Takehiro Nikai / Print
2010 / 40 cm x 50 cm

《比翼》/ 康春慧 / 纸本设色
Flying Wing to Wing / Kang Chunhui / Ink and colour on paper
2020 / 194 cm x 344 cm

《天之四灵之白虎》/ 徐娜 / 版画
Four Spirits of the Sky – White Tiger / Xu Na / Print
2020 / 40 cm x 50 cm

 

“饕餮”所言所思历述山川湖海之魂魄,兽鸟鱼虫之精灵,草木花果之情志;如水注物,赋形各异。流观山海天下意象,黼蔀黻纪,怀瑾握瑜,覃思东方诗性精神与奇谲想象的恢弘画卷。

“Taotie” displays a vast number of images that consist of the spirits of mountains and lakes, beasts and birds, grasses and plants. It takes on the form of each vivid image like running water shaped by whatever it encounters. In this way it unrolls a magnificent scroll of mountains and seas which encompasses all brilliant and virtuous things and provokes mediation on eastern poetic tastes and fantastic imaginations.

《童话世界》/ 李洪波 / 纸雕塑
Fairy Tale World / Li Hongbo / Paper-based sculptures 
2020 / 尺寸可变 Dimension variable

《巨人传2》/ 张兰坡 / 数字绘画 
Stories of Giants 2 / Zhang Lanpo / Digital painting 
2018 / 150 cm x 300 cm 

 

《第三章 寤寐:天地新志》

Wake and Sleep: The New Record of Heaven and Earth

《引力纠缠》/ 迈克尔 纳贾尔 / 混印摄影
Gravitation Entanglement / Michael Najjar / Hybrid photography 
2014 / 132 cm x 202 cm

“寤寐”所闻所悟涵育万物之化无有常形,人间睿智化作刹那狂想、未来憧憬;映照灵感触媒之光,潜伏时空悬置与身心延展的银河幻乐场。六极之外,蔓生都会,伦与物忘,大同乎悻溟。

What has been understood between “Wake and Sleep” is everything in ever-changing state. One’s wisdom, for instance, transforms into momentary fantasies and splendid visions. Inspired and illuminated, he will find himself in a blissful wonderland where time and space remain no longer fixed and both his body and spirit are endlessly extended. Beyond the mortal world, he forgets himself and anything else and ultimate harmony is thereafter achieved and long lasts.

《山海圈》/ 蒋书航 彭艺伟 / 影像 综合材料
The Circle of Mountains and Seas / Jiang Shuhang, Peng Yiwei / Video and composite materials
2020 / 尺寸可变 Dimension variable


《揽胜》/ 钟飙 / 纸上水墨丙烯
The Changing Landscape / Zhong Biao / Ink painting on paper
2020 / 196 cm x 122 cm


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